The youngest Jonas Brother is set to star in a horror holiday flick called White Elephant, alongside Kathryn Newton.
Deadline reports that the film is about eight friends whose “annual festive holiday gift exchange spirals into a cutthroat game of Christmas carnage.” It will be directed by Clown in a Cornfield’s Eli Craig.
“Let’s get it! So excited about this one.” Nick wrote on his Instagram Story.
White Elephant is the latest in a string of recent acting gigs for Nick. He’ll be seen next in Power Ballad opposite Paul Rudd, out in theaters June 5. He’ll also star in the latest Jumanji installment with Dwayne Johnson, Jack Black, and Kevin Hart, due out later this year.
(NEW YORK) — The U.S. recorded strong job gains in March, rebounding from dismal losses a month earlier, even as the nation weathered a global oil shock set off by the U.S.-Israeli war on Iran, a jobs report on Friday showed. The reading far exceeded economists’ expectations.
The U.S. added 178,000 jobs in March, according to the report, which marked a sharp increase from 133,000 jobs lost in the previous month.
The unemployment rate ticked down to 4.3% in March from 4.4% in February, the Bureau of Labor Statistics (BLS) said. Unemployment remains low by historical standards.
As in previous months, the health care sector stood out as a top source of hiring in March, adding 76,000 jobs, the BLS said. The construction sector, as well as transportation and logistics, also contributed to the surge in hiring.
Employment in the federal government continued to decline in March, shedding 18,000 jobs, the BLS said. The federal government has lost 355,000 jobs, or nearly 12% of its workforce, since October 2024, a month before President Donald Trump took office.
The government data arrived as the war continues to drive up gasoline prices and borrowing costs, threatening a drag on the economy.
The U.S. added an average of about 15,000 jobs per month in 2025, U.S. Bureau of Labor Statistics (BLS) data showed. That performance amounted to a sharp slowdown from 186,000 jobs added each month in 2024.
The U.S.-Israeli war on Iran, which began on Feb. 28, triggered one of the worst global oil shocks in decades, prompting gloomy forecasts on Wall Street of a potential U.S. recession over the coming months.
In theory, a prolonged oil shortage could drive up prices for a vast array of goods, sapping energy from consumer spending, which powers most of the nation’s economic growth.
Iran has mounted an effective closure of the Strait of Hormuz, a critical maritime trading route that facilitates the transport of about one-fifth of the global oil supply.
The U.S. is a net exporter of petroleum, meaning the country produces more oil than it consumes. But since oil prices are set on a global market, U.S. prices move in response to swings in worldwide supply and demand.
The disruption in oil shipping has pushed U.S. crude prices above $110 a barrel, which marks a staggering rise of more than 50% since the war began on Feb. 28.
Gasoline prices in the U.S. ticked up to $4.08 on average per gallon as of Wednesday, marking a leap of $1.09 over the past month, AAA data showed.
A potential jump in costs for additional goods delivered through the Strait of Hormuz — such as fertilizer and diesel fuel — could also raise prices beyond gasoline, putting pressure on the Federal Reserve to hike interest rates in an effort to quell possible inflation.
The benchmark interest rate stands at a level between 3.5% and 3.75%. That figure marks a significant drop from a recent peak attained in 2023, but borrowing costs remain well above a 0% rate established at the outset of the COVID-19 pandemic.
If the Fed moved to raise interest rates, it would hike borrowing costs for many consumer and business loans, risking a slowdown in hiring.
Speaking at Harvard University on Monday, Fed Chair Jerome Powell said the central bank could take a patient approach as it monitors potential price effects from the Middle East conflict.
“We feel like our policy is in a good place for us to wait and see how that turns out,” Powell said.
CSA astronaut Jeremy Hansen and NASA astronauts Reid Wiseman, Christina Koch, Victor Glover speak with ABC News from the Orion spacecraft as it heads to the moon, April 2, 2026. (NASA)
(NEW YORK) — The Artemis II mission launched on Wednesday, taking four astronauts on a historic, 10-day mission around the moon and giving them views of a lifetime along the way.
A day after lift-off, ABC News’ Gio Benitez spoke with astronauts Reid Wiseman, Victor Glover, Christina Koch and Jeremy Hansen from their Orion spacecraft about the journey so far, and what they are anticipating for the days ahead.
“I don’t know what we all expected to see … but you could see the entire globe, from pole to pole,” Commander Wiseman said of the crew’s view of Earth from space Thursday.
“You could see Africa, Europe, and if you looked really close, you could see the northern lights. It was the most spectacular moment, and it paused all four of us in our tracks,” he added.
This mission marks the first time humans have flown beyond low-Earth orbit since the Apollo 17 mission that landed on the moon in 1972.
The crew is going on a 685,000-mile journey around the moon, also known as a lunar fly-by.
The launch on Wednesday was seen around the world, as the crew successfully lifted off at 6:35 p.m. ET from the Kennedy Space Center in Florida.
Hansen, mission specialist and part of the Canadian Space Agency, said that even though they were all expecting it, when the rocket boosters actually lit up and they left the launch pad, “there’s just a moment of disbelief.”
“The fact that we launched — it just totally takes you by surprise, even though you’re expecting it, at least for me anyway, and just had a huge smile across my face,” he said.
Koch, a mission specialist who holds the record for the longest single spaceflight by a woman at 328 days, addressed the toilet issue onboard the spacecraft, which was reported after launch.
‘”I’m proud to call myself the space plumber,” Koch said. “I like to say that it is probably the most important piece of equipment on board.”
Crew members said at the time that the Orion capsule’s toilet, dubbed the Universal Waste Management System, had a blinking fault light while they tested it, but it had been resolved since.
“So we were all breathing a sigh of relief when it turned out to be just fine,” Koch said.
Glover, the mission pilot who will make history as the first person of color to go to the moon, said from high Earth orbit, the divisions of Earth are far out of view.
“Trust us, you look amazing, you look beautiful,” he said of Earth. “You also look like one thing. Homo sapiens is all of us, no matter where you’re from or what you look like. We’re all one people.”
“We call amazing things that humans do ‘moonshots’ for a reason, because this brought us together and showed us what we can do when we not just put our differences aside, when we bring our differences together and use all the strengths to accomplish something great,” Glover said.
Before speaking with ABC News on Thursday, the Artemis II crew successfully completed a critical milestone in the mission, the translunar injection burn that boosted the Orion spacecraft out of Earth’s orbit onto a trajectory toward the moon.
During a press conference after the maneuver, Lori Glaze, acting associate administrator at NASA, said that the critical translunar injection burn was “flawless.”
“From this point forward, the laws of orbital mechanics are going to carry our crew to the moon, around the far side and back to Earth,” Glaze said.
Brian Cox has joined the cast of Dexter: Resurrection. The Emmy winner and Succession star will be a series regular in season 2 of the show. Cox will play The New York Ripper, who is a serial killer who terrorized the city. He’s no longer active as a killer, however, and has found a new way of continuing his infamy by taunting the survivors of his long-ago murder spree …
John Travolta’s directorial debut is set to make its premiere at the 79th Cannes Film Festival. The Apple Original Film, called Propeller One-Way Night Coach, was also written by Travolta. The film is set in the golden age of aviation, and follows a young airplane enthusiast and his mother as they take a one-way cross-country trip to Hollywood …
HBO is giving fans a first look at the upcoming series Harry Potter and the Philosopher’s Stone. The behind-the-scenes special, called Finding Harry: The Craft Behind the Magic, offers an in-depth look at the making of the first season of the show. The special debuts to HBO Max on April 5 …
Poster for ‘Breaking Glass: The Pat Summitt Story’ (ABC News Studios)
Robin Roberts executive produced the film Breaking Glass: The Pat Summitt Story, which premieres on ESPN Sunday. The documentary explores the life and career of Pat Summitt, the legendary former Tennessee Lady Volunteers basketball coach who helped pave the way in women’s college basketball. While many people are interviewed specifically for the doc about Pat’s impact on women’s sports, Robin only appears through past interview clips and photos. Despite their close friendship, she explains why she chose not to have a leading voice in the documentary.
“It’s not about me,” Robin says, joking “you already see the different hairstyles” over the years in photos. “This is what I love about this documentary and working with [director] Dawn Porter, because this is what she does,” she explains. “It’s the people that she impacted and, more importantly, hearing Pat’s voice. You don’t wanna hear my voice, you wanna hear Pat’s voice.”
That, she adds, is the heart of the documentary.
“I get chills when I hear Pat’s voice. When I started hearing it again, when we were going through all the cuts and everything and I was like, wow,” Robin says. “So it was intentional because there’s nothing that we wanted to take, there was no way we could take away from someone as powerful. She is the story.”
The inclusion of Pat’s voice was made possible thanks to Sally Jenkins, who had previously interviewed her for the book Sum It Up: A Thousand and Ninety-Eight Victories, a Couple of Irrelevant Losses, and a Life in Perspective.
The Pat Summitt Story is also streaming on Hulu and Hulu on Disney+.
Disney is the parent company of ABC News, Hulu and ESPN.
A federal judge in New York on Thursday gutted much of Blake Lively’s case against her It Ends With Us co-star Justin Baldoni, including her claims she was subjected to sexual harassment on set.
Lively is allowed to pursue certain claims of retaliation against Baldoni’s public relations team over alleged harm to her reputation, according to the ruling by Judge Lewis Liman.
The decision comes one month before the scheduled start of the trial while the two sides have been in settlement negotiations.
In his ruling, Liman said some of Baldoni’s conduct “was not so far beyond what might reasonably be expected to take place between two characters” in a sexually charged movie like It Ends With Us.
“That Baldoni suggested scenes involving sexual acts in the context of developing a motion picture involving such adult themes did not create a ‘sexually objectionable environment’ or an environment hostile to women (or to men) because of sex,” Liman added.
Liman is allowing Lively to pursue her claims of an orchestrated smear campaign by Baldoni’s PR team, which Liman said, “at least arguably crossed the line.”
“The reputational effects have been particularly severe given the nature of Lively’s profession, which places a heavy emphasis on personal and professional marketability,” Liman wrote.
Sigrid McCawley, a member of Lively’s legal team, told ABC News in a statement: “This case has always been and will remain focused on the devastating retaliation and the extraordinary steps the defendants took to destroy Blake Lively’s reputation because she stood up for safety on the set and that is the case that is going to trial.”
“For Blake Lively, the greatest measure of justice is that the people and the playbook behind these coordinated digital attacks have been exposed and are already being held accountable by other women they’ve targeted,” McCawley added. “She looks forward to testifying at trial and continuing to shine a light on this vicious form of online retaliation so that it becomes easier to detect and fight.”
McCawley ended the statement by saying, “Sexual harassment isn’t going forward not because the defendants did nothing wrong but because the court determined Blake Lively was an independent contractor, not an employee.”
Meanwhile, Alexandra Shapiro and Jonathan Bach of Baldoni’s legal team, said in a statement to ABC News: “We’re very pleased the Court dismissed all sexual harassment claims and every claim brought against the individual defendants: Justin Baldoni, Jamey Heath, Steve Sarowitz, Melissa Nathan, and Jennifer Abel.”
“These were very serious allegations, and we are grateful to the Court for its careful review of the facts, law and voluminous evidence that was provided,” Baldoni’s legal team added. “What’s left is a significantly narrowed case, and we look forward to presenting our defense to the remaining claims in court.”
In February, the two actors and their attorneys attended a court-ordered settlement conference at the United States District Court in New York, in an attempt to reach a settlement in Lively’s lawsuit against Baldoni but were unsuccessful.
The court-ordered settlement conference was a last-ditch attempt at resolving the legal battle that has now stretched on for more than a year.
Lively filed a complaint against Baldoni with the California Civil Rights Department in December 2024, accusing him of sexual harassment on the set of It Ends with Us and accusing both Baldoni and his production company Wayfarer Studios of engaging in a “social manipulation” campaign to “destroy” her reputation.
The two later filed lawsuits against each other in New York, with Lively reiterating the claims made in her earlier complaint and accusing Baldoni and Wayfarer of allegedly engaging in “unlawful, retaliatory astroturfing” to ruin her reputation in a lawsuit seeking $500 million in damages.
Baldoni’s attorney denied the allegations.
Shortly after Lively filed her lawsuit, Baldoni filed a $400 million countersuit against Lively, her husband Ryan Reynolds, and the couple’s publicist for extortion and defamation, claiming Lively had “robbed” him of control over the film and had destroyed his reputation.
Lively’s lawyers denied the allegations and called Baldoni’s suit “another chapter in the abuser playbook.”
A federal judge in New York dismissed Baldoni’s suit last June, formally ending the counterclaim in October after Baldoni did not refile an amended complaint.
Traders work on the floor of the New York Stock Exchange, March 31, 2026 in New York City. (Spencer Platt/Getty Images)
(NEW YORK) — Stocks closed mixed in volatile trading on Thursday after President Donald Trump delivered a televised address vowing to hit Iran “extremely hard” over the coming weeks.
The Dow Jones Industrial Average closed down 60 points, or 0.1%, after opening down by 600 points, while the S&P 500 ticked up 0.1. The tech-heavy Nasdaq increased 0.1%.
Each of the major indexes tumbled more than 1% in early trading, but they quickly recovered most or all of those losses.
The rollercoaster trading followed losses across Asian and European markets. Tokyo’s Nikkei 225 index slipped 2.3% and the pan-European STOXX 600 fell 0.6%.
Oil prices, meanwhile, surged as traders feared a persistent supply shortage amid the ongoing U.S.-Israeli war with Iran. U.S. oil prices climbed more than 10% on Thursday, registering about $111 a barrel.
Gasoline prices in the U.S. ticked up to $4.08 on average per gallon, marking a leap of $1.09 over the past month, AAA data showed.
Speaking at the White House on Wednesday, Trump voiced mixed messages about his plans for the Middle East conflict. He said Iran is no longer a threat to the U.S. and the war in Iran is “nearing completion.” However, he added, the U.S. plans to continue striking Iran over the next two or three weeks.
“We’re going to bring them back to the stone ages where they belong,” Trump said.
The trading volatility on Thursday interrupted an upswing for markets earlier in the week. On Tuesday, the Dow Jones Industrial Average soared more than 1,100 points, adding another 220 points on Wednesday as traders anticipated Trump may signal an off-ramp from the war in his evening remarks.
Since the war with Iran began on Feb. 28, Trump has issued conflicting signals about the expected duration of the war. On several occasions, stocks have climbed or fallen as markets weighed the implications of Trump’s comments.
The war prompted Iran’s effective closure of the Strait of Hormuz, a maritime trading route that facilitates the transport of about one-fifth of the global oil supply.
The vast majority of fuel delivered through the strait is bound for Asia, placing the heaviest pressure on energy supply in that continent. Since oil and gas are sold on a global market, however, the shortage has sent prices rising for just about everyone.
On Wednesday night, Trump urged other countries to take responsibility for reopening the strait.
“The countries of the world that do receive oil through the Hormuz Straight must take care of that passage,” Trump said. “We will be helpful, but they should take the lead in protecting the oil that they so desperately depend on.”
A potential U.S. exit from the war without ensuring that the strait is open could cast uncertainty over the path to a resumption of normal tanker traffic and a remedy for the current global oil shortage.
President Donald Trump answers questions after signing an executive order to limit mail-in voting in the Oval Office of the White House, March 31, 2026, in Washington. (Alex Wong/Getty Images)
(WASHINGTON) — President Donald Trump on Thursday slapped 100% tariffs on some pharmaceutical products, ramping up his effort to boost U.S. drug manufacturing.
The move, in the form of an executive order, targets patented drugs that lack a “most favored nations” pricing agreement with the U.S. Under such agreements, companies ensure the U.S. will pay the same amount that other wealthy countries pay for similar medications.
Companies face a reduced levy if they agree to bring production to the U.S. or enter into pricing deals with the administration, the executive order says.
If companies commit to bring their manufacturing to America, then the tariff on their products will drop to 20%, the order notes.
In the event such companies also enter into a most-favored-nation agreement with the Department of Health and Human Services, then they can avert tariffs entirely while in the process of building a U.S.-based plant, according to the executive order.
Large companies, the executive order says, will receive a 120-day phase-in period before the tariffs take effect.
The fresh round of tariffs will exclude drugs made in some countries that previously entered into trade agreements with the U.S., including Switzerland, Japan, South Korea and the 27-member European Union, according to the order.
Pharmaceutical products from those countries will face a 15% tariff based on the terms of trade agreements reached with the U.S, the order notes.
This is a developing story. Please check back for updates.
ABC News’ Mary Kekatos contributed to this report.
A photo of Meryl Streep. (Brigitte Lacombe) | The book cover of ‘The Corrections.’ (Farrar, Straus and Giroux)
Meryl Streep’s next project is in the works.
Netflix has announced plans to make a limited series adaptation of the award-winning novel The Corrections. Streep is set to star as Enid in the small-screen version of the bestselling book by Jonathan Franzen.
American Fiction writer and director Cord Jefferson will helm the series from a script written and adapted by Franzen. Additionally, Jefferson and Streep will both executive produce the project.
The Corrections is described as a comedic and tragic portrait of a Midwestern family and three adult siblings who resist their mother’s wish for one last Christmas together, “each undone by the delusional ambitions that were supposed to save them from becoming their parents,” according to a description from Netflix.
The novel was published in 2001 and became a #1 New York Times bestseller. It follows older couple Enid and Alfred, as well as their children, Gary, Chip and Denise, during a tense holiday gathering.
There is currently no word on further casting or when audiences can expect to watch the show.
