Elizabeth, Mr. Darcy yearn in ‘Pride and Prejudice’ Netflix series teaser trailer
The cast of the upcoming Netflix ‘Pride and Prejudice’ series. (Ludovic Robert/Netflix)
It is a truth universally acknowledged, that a streaming service in possession of a good fortune, must provide the teaser trailer for its Pride and Prejudice adaptation.
Netflix has shared the first trailer for its upcoming six-part series adaptation of Jane Austen’s classic novel. It has also announced that the series will be available to stream in fall 2026.
The official teaser, which runs just less than a minute, shows off Emma Corrin as Elizabeth Bennet and Jack Lowden as Mr. Darcy.
There is no dialogue in the trailer, only yearning. We see Elizabeth sitting on her roof gazing out into the sun, before it cuts to a handwritten letter from Mr. Darcy. Elizabeth runs through muddy paths, there is lingered eye contact through horse-drawn carriages and a glimpse at the pair dancing at a ball. The final image is of Mr. Darcy sitting atop his horse staring out at what one can only assume is the direction of Elizabeth.
Bestselling author Dolly Alderton has adapted Austen’s novel for the screen while Heartstopper director Euros Lyn is helming the series.
In addition to Corrin and Lowden, the show’s cast includes Olivia Colman, Rufus Sewell, Freya Mavor, Jamie Demetriou, Daryl McCormack, Rhea Norwood, Siena Kelly and Louis Partridge.
“Once in a generation, a group of people get to retell this wonderful story and I feel very lucky that I get to be a part of it. Jane Austen’s Pride and Prejudice is the blueprint for romantic comedy – it has been a joy to delve back into its pages to find both familiar and fresh ways of bringing this beloved book to life,” Alderton said in a statement originally shared in July 2025.
Poster for ‘Breaking Glass: The Pat Summitt Story’ (ABC News Studios)
The story of Pat Summitt, the Naismith Memorial Basketball Hall of Famer best known for coaching women’s basketball at the University of Tennessee, has been told in many ways. This time, it’s being brought to life through a documentary directed by Dawn Porter and produced by Robin Roberts’ production company, Rock’n Robin Productions. With an impact that has been felt for decades, Roberts explains why now is the right time to share Summitt’s story in this way.
“People need to know,” she tells ABC Audio. “People are excited about the WNBA, March Madness, Unrivaled, they need to know that it might not have happened [were] it not for someone like Pat Summitt. So just to give a history lesson to folks, I think that is the right time to do it.”
“It is March Madness, it is Women’s History Month. It’ll be 10 years in June that she passed away from Alzheimer’s,” she continues. “So I think it was the perfect storm in giving her her flowers.”
Breaking Glass, The Pat Summitt Story, streaming on Hulu and Hulu on Disney+,chronicles Pat’s journey from her humble upbringing on a Tennessee dairy farm to her record-setting career at the University of Tennessee, where she won 1,098 games and eight national championships. The film offers an in-depth look at both the challenges she faced, and the lasting impact she made on and off the court.
With so much ground to cover, Dawn says the responsibility she felt in telling Pat’s story grew as she learned more about her, but she was fortunately met with support from her family, ESPN, the University of Tennessee and more.
Her goal was to understand why Pat was so deeply loved. What she learned: “Pat saw everybody as people and I think she was really, really instrumental in making that a unified experience where everybody was welcome.”
The film will premiere Sunday on ESPN2 and April 5 on ESPN.
A federal judge in New York on Thursday gutted much of Blake Lively’s case against her It Ends With Us co-star Justin Baldoni, including her claims she was subjected to sexual harassment on set.
Lively is allowed to pursue certain claims of retaliation against Baldoni’s public relations team over alleged harm to her reputation, according to the ruling by Judge Lewis Liman.
The decision comes one month before the scheduled start of the trial while the two sides have been in settlement negotiations.
In his ruling, Liman said some of Baldoni’s conduct “was not so far beyond what might reasonably be expected to take place between two characters” in a sexually charged movie like It Ends With Us.
“That Baldoni suggested scenes involving sexual acts in the context of developing a motion picture involving such adult themes did not create a ‘sexually objectionable environment’ or an environment hostile to women (or to men) because of sex,” Liman added.
Liman is allowing Lively to pursue her claims of an orchestrated smear campaign by Baldoni’s PR team, which Liman said, “at least arguably crossed the line.”
“The reputational effects have been particularly severe given the nature of Lively’s profession, which places a heavy emphasis on personal and professional marketability,” Liman wrote.
Sigrid McCawley, a member of Lively’s legal team, told ABC News in a statement: “This case has always been and will remain focused on the devastating retaliation and the extraordinary steps the defendants took to destroy Blake Lively’s reputation because she stood up for safety on the set and that is the case that is going to trial.”
“For Blake Lively, the greatest measure of justice is that the people and the playbook behind these coordinated digital attacks have been exposed and are already being held accountable by other women they’ve targeted,” McCawley added. “She looks forward to testifying at trial and continuing to shine a light on this vicious form of online retaliation so that it becomes easier to detect and fight.”
McCawley ended the statement by saying, “Sexual harassment isn’t going forward not because the defendants did nothing wrong but because the court determined Blake Lively was an independent contractor, not an employee.”
Meanwhile, Alexandra Shapiro and Jonathan Bach of Baldoni’s legal team, said in a statement to ABC News: “We’re very pleased the Court dismissed all sexual harassment claims and every claim brought against the individual defendants: Justin Baldoni, Jamey Heath, Steve Sarowitz, Melissa Nathan, and Jennifer Abel.”
“These were very serious allegations, and we are grateful to the Court for its careful review of the facts, law and voluminous evidence that was provided,” Baldoni’s legal team added. “What’s left is a significantly narrowed case, and we look forward to presenting our defense to the remaining claims in court.”
In February, the two actors and their attorneys attended a court-ordered settlement conference at the United States District Court in New York, in an attempt to reach a settlement in Lively’s lawsuit against Baldoni but were unsuccessful.
The court-ordered settlement conference was a last-ditch attempt at resolving the legal battle that has now stretched on for more than a year.
Lively filed a complaint against Baldoni with the California Civil Rights Department in December 2024, accusing him of sexual harassment on the set of It Ends with Us and accusing both Baldoni and his production company Wayfarer Studios of engaging in a “social manipulation” campaign to “destroy” her reputation.
The two later filed lawsuits against each other in New York, with Lively reiterating the claims made in her earlier complaint and accusing Baldoni and Wayfarer of allegedly engaging in “unlawful, retaliatory astroturfing” to ruin her reputation in a lawsuit seeking $500 million in damages.
Baldoni’s attorney denied the allegations.
Shortly after Lively filed her lawsuit, Baldoni filed a $400 million countersuit against Lively, her husband Ryan Reynolds, and the couple’s publicist for extortion and defamation, claiming Lively had “robbed” him of control over the film and had destroyed his reputation.
Lively’s lawyers denied the allegations and called Baldoni’s suit “another chapter in the abuser playbook.”
A federal judge in New York dismissed Baldoni’s suit last June, formally ending the counterclaim in October after Baldoni did not refile an amended complaint.
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