Watch the new trailer for Billie Eilish’s ‘HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D)’
James Cameron and Billie Eilish on the set of ‘HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D).’ (Henry Hwu)
“This is gonna blow people’s minds,” predicts James Cameron in the new trailer for Billie Eilish’s concert film, HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D).
In the latest trailer for the film, which was co-directed by Cameron and Eilish, the two discuss the singer’s “creative vision” while determining where they can put the 3D cameras to capture her live concert. There’s plenty of footage from the show, soundtracked to “Bad Guy,” as well as behind-the-scenes footage of Eilish getting ready for a show.
“I just feel like I’m going to hang out with my friends,” she says while describing a show day. Eilish also shows off cuts and bruises she sustains by going down into the audience to slap and shake hands with her fans.
“I want to be the artist that I would wanna be a fan of,” she explains. In another scene, she tells Cameron, “I want to feel like it’s me and them.”
We also get additional footage of Eilish’s “puppy room,” which we initially saw in the first trailer for the film. At each tour stop, the singer arranges for a local rescue organization to bring over a bunch of dogs and puppies, so everyone on the tour can “chill” backstage while cuddling the animals.
“Multiple people on my crew have adopted dogs from tour,” says Eilish. “Everyone needs some dog love.”
HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D) is in theaters May 8, in Dolby Cinema, RealD 3D and Premium Large Formats.
Amanda Peet attends the AFI FEST 2025 Presented By Canva “Fantasy Life” Screening at TCL Chinese 6 Theatres on October 25, 2025 in Hollywood, California. (Photo by Rodin Eckenroth/Getty Images for AFI)
Amanda Peet is opening up about her breast cancer diagnosis, which she learned of around the same time both of her parents were in hospice care.
In a personal essay published Saturday in The New Yorker, the actress detailed the difficult period, sharing that she had long been monitored closely due to having “dense” and “busy” breasts, which require extra screening.
“I had been seeing a breast surgeon every six months for checkups,” she wrote.
After a routine scan in late August showed an unusual ultrasound result, Peet said her doctor performed a biopsy that detected a tumor, which “appeared” small but required an MRI to determine “the extent of the disease.”
As she began planning the next steps in her treatment, Peet said her parents — who were “long divorced” and lived on “opposite coasts” — both entered hospice care. Her father died suddenly before she was able to reach him.
“Our mother’s had started in June, but our father’s was only a week in, so we hadn’t expected him to go first,” she wrote. “I flew to New York. I didn’t make it before my father took his last breath, but I got to see his body before it was taken from his apartment.”
Peet, who is married to David Benioff and shares three children with him, said that upon returning to Los Angeles, she learned her stage 1 cancer was “hormone-receptor-positive” and “HER2-negative,” news that briefly made her feel “happier than I’d been pre-diagnosis, when I was just a regular person who didn’t have cancer.”
“But after about 10 minutes, I remembered that I still needed the MRI and regressed to baseline terror,” she wrote, explaining that her doctor told her the radiologist would also examine her lymph nodes and “the left side for any surprise findings,” with results expected within a week.
“It was dawning on me that cancer diagnoses come in a slow drip,” she wrote.
Doctors later found another mass in her breast that was determined to be benign, and she said her treatment would include a lumpectomy and radiation.
Concluding her essay, Peet shared tender moments of a bittersweet farewell with her mother, who had battled Parkinson’s disease, recalling the final moments they shared together.
“The morphine was taking forever to kick in, and she was looking at the ceiling and whimpering, so I climbed onto her rented hospital bed to get in her line of vision,” she wrote. “We locked eyes and she quieted down, and then she and I continued to stare at each other for what felt like several minutes.”
She added, “I wasn’t sure whether my mom knew that she was looking at me or whether I was just a constellation of interesting, disembodied shapes. I said ‘howdy doodle’ — that’s how she often greeted me. But then I realized that she was communing without words, and I followed suit. Time was running out, and, besides, I had already told her everything.”
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Paul Thomas Anderson at the 98th annual Academy Awards. (Disney/Frank Micelotta)
In the battle for best director, Paul Thomas Anderson came away with the win for his film One Battle After Another.
“You make a guy work hard for one of these, I really appreciate it,” Anderson said in accepting the award, thanking the academy for “finding my work worthy of this highest honor.”
He also recognized his fellow nominees in the category, Chloé Zhao for Hamnet, Ryan Coogler for Sinners, Josh Safdie for Marty Supreme and Joachim Trier for Sentimental Value.
“I couldn’t ask for a better class. It’s an honor to be counted amongst you guys,” he said. “There will always be some doubt in your heart that you deserve it, but there is no question at the pleasure for having it for myself.”
Finally, Anderson noted, “This is a wonder gift, and I’m so happy to call the movies home. This is really terrific.”
The win comes after 14 career Academy Award nominations for Anderson. It was his second win of the night, after winning best adapted screenplay.