A federal judge in New York on Thursday gutted much of Blake Lively’s case against her It Ends With Us co-star Justin Baldoni, including her claims she was subjected to sexual harassment on set.
Lively is allowed to pursue certain claims of retaliation against Baldoni’s public relations team over alleged harm to her reputation, according to the ruling by Judge Lewis Liman.
The decision comes one month before the scheduled start of the trial while the two sides have been in settlement negotiations.
In his ruling, Liman said some of Baldoni’s conduct “was not so far beyond what might reasonably be expected to take place between two characters” in a sexually charged movie like It Ends With Us.
“That Baldoni suggested scenes involving sexual acts in the context of developing a motion picture involving such adult themes did not create a ‘sexually objectionable environment’ or an environment hostile to women (or to men) because of sex,” Liman added.
Liman is allowing Lively to pursue her claims of an orchestrated smear campaign by Baldoni’s PR team, which Liman said, “at least arguably crossed the line.”
“The reputational effects have been particularly severe given the nature of Lively’s profession, which places a heavy emphasis on personal and professional marketability,” Liman wrote.
Sigrid McCawley, a member of Lively’s legal team, told ABC News in a statement: “This case has always been and will remain focused on the devastating retaliation and the extraordinary steps the defendants took to destroy Blake Lively’s reputation because she stood up for safety on the set and that is the case that is going to trial.”
“For Blake Lively, the greatest measure of justice is that the people and the playbook behind these coordinated digital attacks have been exposed and are already being held accountable by other women they’ve targeted,” McCawley added. “She looks forward to testifying at trial and continuing to shine a light on this vicious form of online retaliation so that it becomes easier to detect and fight.”
McCawley ended the statement by saying, “Sexual harassment isn’t going forward not because the defendants did nothing wrong but because the court determined Blake Lively was an independent contractor, not an employee.”
Meanwhile, Alexandra Shapiro and Jonathan Bach of Baldoni’s legal team, said in a statement to ABC News: “We’re very pleased the Court dismissed all sexual harassment claims and every claim brought against the individual defendants: Justin Baldoni, Jamey Heath, Steve Sarowitz, Melissa Nathan, and Jennifer Abel.”
“These were very serious allegations, and we are grateful to the Court for its careful review of the facts, law and voluminous evidence that was provided,” Baldoni’s legal team added. “What’s left is a significantly narrowed case, and we look forward to presenting our defense to the remaining claims in court.”
In February, the two actors and their attorneys attended a court-ordered settlement conference at the United States District Court in New York, in an attempt to reach a settlement in Lively’s lawsuit against Baldoni but were unsuccessful.
The court-ordered settlement conference was a last-ditch attempt at resolving the legal battle that has now stretched on for more than a year.
Lively filed a complaint against Baldoni with the California Civil Rights Department in December 2024, accusing him of sexual harassment on the set of It Ends with Us and accusing both Baldoni and his production company Wayfarer Studios of engaging in a “social manipulation” campaign to “destroy” her reputation.
The two later filed lawsuits against each other in New York, with Lively reiterating the claims made in her earlier complaint and accusing Baldoni and Wayfarer of allegedly engaging in “unlawful, retaliatory astroturfing” to ruin her reputation in a lawsuit seeking $500 million in damages.
Baldoni’s attorney denied the allegations.
Shortly after Lively filed her lawsuit, Baldoni filed a $400 million countersuit against Lively, her husband Ryan Reynolds, and the couple’s publicist for extortion and defamation, claiming Lively had “robbed” him of control over the film and had destroyed his reputation.
Lively’s lawyers denied the allegations and called Baldoni’s suit “another chapter in the abuser playbook.”
A federal judge in New York dismissed Baldoni’s suit last June, formally ending the counterclaim in October after Baldoni did not refile an amended complaint.
Mariska Hargitay in ‘Every Brilliant Thing.’ (Emilio Madrid)
Mariska Hargitay is headed to the Great White Way.
The Law & Order: SVU star is set to make her Broadway debut in May. She’ll be taking over for Daniel Radcliffe in the one-person playEvery Brilliant Thing beginning May 26.
“I read Every Brilliant Thing and cried, rejoiced, laughed, cried some more, and loved it so much,” Hargitay says in a statement. “I’m always drawn to themes of healing and renewal, especially when the journey is rendered in all its complexity.”
She says making her Broadway debut with such a life-affirming play is an “extraordinary gift” and “the fulfillment of a lifelong dream.”
“For me, the triumph of this beautiful piece of work—this luminously brilliant thing—is that through a deeply personal story, we experience the universal endeavor of keeping ourselves pointed towards light, compassion and hope,” Hargitay says.
Every Brilliant Thing, which relies heavily on audience participation, follows the central character as they look back on their life through a list of all the little things that make life worth living.
Radcliffe will complete his run on May 24. The show has extended its run through June 28.
The new film In the Blink of an Eye tells three interwoven stories spanning from prehistoric times to a future in space — but the chapter that audiences will likely find most relatable is the story of Claire and Greg. Set in 2023, it follows two Princeton post-graduate students and the evolution of their romance.
Rashida Jones, who plays Claire, tells ABC Audio she loves Claire and Greg’s dedication to making the relationship work.
“What I love so much about this relationship is the improbability of ever making it work with somebody,” she says. Claire and Greg experience career pressures, grief and even “literal geographical obstacles,” Jones says, but they still choose each other.
“The fact that anybody gets together and loves each other enough to make a baby … and raise a child is so improbable,” she says, which is what makes their story romantic. “It’s really hard to be with somebody and to have a family. Like, it’s amazing that it happens.”
Diggs appreciates that the film doesn’t shy away from exploring the hard parts of a relationship. “It follows love in a very honest way,” he says. “Two people who eventually decide that, like, we are really doing this thing and have to be honest about how difficult that is, but it’s always worth it.”
The film also asks whether living forever would make love more or less meaningful. Diggs, who notes he’s “pretty nervous about death,” believes that mortality deepens connection. “The fact that there is a clock … guides a lot of our decisions and allows us to love more deeply,” he says. He suggests that without it, “You would probably be a lot less likely to fall in love.”
According to Jones, one message of the film, and more specifically their storyline, is: “We do all have a clock and really our only job is to be completely present for whatever moment is in front of us.”
In the Blink of an Eye is now available to stream on Hulu and Hulu on Disney+.
