76th Emmys: Liza Colón-Zayas, Elizabeth Debicki win in Supporting Actress categories
Liza Colón-Zayas and Elizabeth Debicki won the Emmys for Outstanding Supporting Actress in a Comedy Series and Outstanding Supporting Actress in a Drama Series, respectively, during Sunday night’s 76th annual Emmy Awards.
Colón-Zayas won her first Emmy for her role as Tina in the FX series The Bear, while Debicki was also awarded her first Emmy for her portrayal of Princess Diana in the Netflix series The Crown.
The other nominees for Supporting Actress in a Comedy Series were Carol Burnett, Hannah Einbinder, Janelle James, Sheryl Lee Ralph and Meryl Streep.
In the Supporting Actress in a Drama Series category, the other nominees included Christine Baranski, NicoleBeharie, Greta Lee, Lesley Manville, Karen Pittman and Holland Taylor.
Costume retailer Spirit Halloween is trying to have the last laugh at Saturday Night Live, after the show’s 50th season contained a fake commercial spoofing it.
“We are great at raising things back from the dead,” read a Spirit Halloween post on X, showing a costume package with SNL‘s anniversary logo, described as “Irrelevant 50-year-old TV show.” The accessories therein were listed as “dated references, unknown cast members, and shrinking ratings.”
The SNL sketch spoofed how the stores pop up in abandoned storefronts across the country “for six weeks before bouncing,” according to a voice-over by Heidi Gardner.
“Times may be good on Wall Street, but on Main Street, communities are struggling,” she says. “Closed stores, shuttered businesses, empty parking lots. When hard times hit, it’s easy to feel like no one cares. But help is on the way because when others leave, we show up.”
Chloe Fineman adds, “We’re here providing vulnerable communities with the things they need most: wigs that give you a rash, single-use fog machines and costumes of famous characters tweaked just enough to avoid a lawsuit.” On the latter, a costume listed as “Candy Slave” is obviously an Oompa Loompa from Charlie and the Chocolate Factory, for example.
Gardner also touts how the company provides “six-week jobs for some of America’s hardest-hit perverts,” with a scuzzy Mikey Day advising an under-18 customer that he’s “not legally allowed” to talk to her.
At one point, a little girl asks Fineman if they have a Taylor Swift costume, only for the employee to happily hand her a “Blonde Singing Woman” one. “That’s not Taylor Swift!” the little Swiftie protests, only to have Fineman boop the girl’s nose, saying, “Neither are you.”
Jude Law got to step into that galaxy far, far away with his lead role in Star Wars: Skeleton Crew, which debuts Dec. 3 on Disney+.
For a fan, it left him “giddy,” he tells Variety.
Jon Watts, who called the shots on Tom Holland‘s three standalone Spider-Man movies, created the show, which centers on four children “looking for their home planet after getting lost in the Star Wars galaxy,” the synopsis says.
Law tells the trade, “I don’t think I would have dived in willy-nilly. I wanted it to be right. I didn’t want to be the guy that dropped the ball on Star Wars.”
He says of the production, “It was a really interesting process. It’s technically complicated to get those things right — you’re dealing with animatronics and puppets and machines and huge, complicated worlds.”
Law adds, “I’m the guy that wants to see how the wizard does it.” To that end, he talks about the “Star Wars filter” — the particularities common to the franchise. “Like, there are no buttons [on costumes] in Star Wars — only ties. Buckles? Yes. Velcro? Yes. Although, I don’t think you ever see the Velcro.”
He adds, “There are certain shots they don’t allow you to do if you’re the director. You can’t pass through the glass of the spaceship; you have to stay on the outside or inside. I love that. You see the shot and go, ‘Oh, I’m in Star Wars.'”
However, despite a scene in the trailer that shows him sending a key floating across the room, Law hedges when asked what it’s like to have the Force. “Who says I’ve got the Force?” he tells Variety with a laugh.
The Bear star Jeremy Allen White is set to play Bruce Springsteen in the upcoming movie Deliver Me From Nowhere, and The Boss has shared his thoughts on the actor’s singing voice.
Springsteen appeared on the latest episode of The Graham Norton Show, where he talked about the film. According to People, he said, “It’s a lovely cast and I am involved a little.”
The Boss also acknowledged that portraying him on the big screen could be a challenge for White.
“This is not easy to do because you can’t do an imitation, you have to do a personal interpretation,” he said. “It’s difficult but he is a great actor and sings pretty good.”
White previously revealed in an interview with GQthat he’d be doing his own singing in the film.
“I’m really lucky that there’s sort of a team of folks now in place to help young actors portray rock stars,” he said. “I’ve got a really talented group of people helping me train vocally, musically, to get ready for this thing.”
Deliver Me From Nowhere, directed by Scott Cooper, follows Springsteen’s efforts to make his 1982 solo album Nebraska. The film is based on Warren Zanes‘ book Deliver Me from Nowhere: The Making of Bruce Springsteen’s Nebraska.
In related news … After rumors circulated in May that Succession star Jeremy Strong was in talks to play Springsteen’s manager Jon Landau in the film, the actor has now confirmed his participation.
“It just always spoke to me, there’s a melancholy to it,” he told NME of Nebraska. “I am doing [Deliver Me From Nowhere] but I’d always felt that way about that album. There’s a narrative to it that comes from a very deep place in him and you can feel that.”