Nicole Kidman’s daughter Sunday Rose makes runway debut at Paris Fashion Week
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Nicole Kidman and Keith Urban‘s daughter, Sunday Rose Kidman Urban, walked her first runway show on Tuesday.
The 16-year-old opened the Miu Miu spring/summer 2025 fashion show during Paris Fashion Week, an event that also saw Oscar nominee Willem Dafoe and Oscar winner Hilary Swank strutting their stuff.
“I’ve been wanting to do this for so long,” Kidman Urban told Vogue in an interview published Tuesday. “So when the offer came through, it was really exciting and now the day’s finally here.”
Kidman and Urban are also parents to daughter Faith Margaret Kidman Urban. The actress also shares two now-adult adopted children with ex-husband Tom Cruise — daughter Isabella Jane and son Connor Cruise.
Babygirl star Kidman supported her daughter Sunday Rose’s runway debut by resharing a post of the teenager walking the runway on her Instagram Story. She also attended a Miu Miu dinner party on Tuesday with her daughter.
The star-studded Miu Miu Spring/Summer 2025 Fashion Show also saw model and actresses Cara Delevingne and Alexa Chung on the catwalk.
If you just can’t wait until Christmas Day to see the Bob Dylan movie A Complete Unknown, there’s now a chance to catch it earlier … and bigger.
The film, starring Timothée Chalamet as the iconic singer, is set to play in IMAX theaters starting Dec. 18, a week earlier than its Dec. 25 official release day.
A Complete Unknown: IMAX Early Access will screen in select AMC, Regal, Cineplex and Cinemark theaters in 19 major cities, including Los Angeles, New York, Chicago, Atlanta, Boston, Detroit, Nashville, San Francisco, Seattle and Washington, D.C.
All screenings will be followed by a prerecorded Q&A with the cast, and attendees will get a commemorative mini poster and lanyard with their ticket.
A Complete Unknown, directed by James Mangold, follows a 19-year-old Dylan as he arrives in New York from Minnesota and tracks his rise as a folk singer during the ’60s to the top of the charts, ending with his electric rock ‘n’ roll performance at the Newport Folk Festival in 1965.
The film also stars Edward Norton as Pete Seeger, Monica Barbaro as Joan Baez, Elle Fanning as a character named Sylvie Russo, Boyd Holbrook as Johnny Cash and Nick Offerman as Alan Lomax.
Nearly two and a half decades after the monumental film Gladiator hit theaters, acclaimed filmmaker Ridley Scott is returning the iconic Roman-era epic to the big screen with Gladiator II.
The film, starring Paul Mescal, Pedro Pascal, Denzel Washington, Connie Nielsen and more, is a Roman warrior story of redemption, family and nation, told on a scale big enough to match its preceding legacy.
In an interview with Good Morning America, the cast opened up about making the second installment of a classic, carrying on the Gladiator legacy and how Scott “built” Rome for the new film.
“We thought about it for 24 years — not every day, it was always there in the back of my mind,” Scott said of making the sequel. “But in that time, I did 17 other movies. Big ones. So, it really wasn’t an incredible challenge other than saying ‘It would be nice to get to it,’ And we finally got to it by sitting down at a table and saying, ‘Whatever happened to Lucius?'”
Enter: Mescal as Lucius, the son of Maximus — the main character from Gladiator, played by Russell Crowe.
Mescal undoubtedly had big boots to fill, succeeding Crowe as the leading man in the sequel. According to two-time Oscar winner Washington, who plays Macrinus in the new film, Mescal was more than able to carry the staggering legacy of Crowe’s character.
“First of all, he pulls it off,” said Washington. “I can only imagine the pressure he must have felt coming behind Russell 25 years later.”
Despite that pressure, Mescal made clear his dominant feeling was one of excitement. “Obviously there was a nervousness attached to it and concern because you care about the work that you do,” he said. “But the predominant thing was one of getting ready to go — and excited about it, to be honest.”
Scott’s Rome, which he built with production designer Arthur Max, featured more than 500 extras filling rows in a replica Colosseum that reached a third of the original structure’s actual size.
“I’d never been on sets like that,” said Washington, explaining the scope of the production. “They built Rome, basically.”
Mescal said actors on Scott’s set are immersed in the world of Gladiator — barring the cameras of course, though he was sure to note that Scott even dresses up the camera operators in costume.
“It is a total, total gift,” said Mescal of the elaborate set design. “You walk onto set, and if you can’t act in that environment, I don’t think this job is for you.”
While the third season of Apple TV’s Ted Lasso earned a show-best 21 Emmy nominations, it left some fans flat.
However, show star and co-creator Jason Sudeikis isn’t hearing it.
TV Line got a peek at Believe: The Untold Story Behind Ted Lasso, the Show That Kicked Its Way Into Our Hearts, an oral history of the footy phenomenon, in which author Jeremy Egner asked Sudeikis and company about some fans’ gripes.
Specifically, that the third — and potentially last — season was “unfocused,” and its beloved cast was “scattered into different storylines.”
But Sudeikis kicked back: “Much like live theater, the show, especially Season 3, was asking the audience to be an active participant. Some people want to do that, some people don’t. Some people want to judge — they don’t want to be curious.”
He continued, “I’ll never understand people who will go on talking about something so brazenly that they, in my opinion, clearly don’t understand. And God bless ’em for it; it’s not their fault. They don’t have imaginations and they’re not open to the experience of what it’s like to have one.”
Sudeikis insists of the characters, “Everybody’s in better shape than when they started. Like a good Boy or Girl Scout at a campsite, we left it better than we found it. And if you don’t see that in that show, then I don’t know what show you’re watching.”
As for a fourth season of the hit show, it remains to be seen if the cast returns to the pitch.
