‘Captain America’ stays on top as ‘The Monkey’ drums up $14 million for #2 slot
Eli Adé/Marvel
It’s still Captain America‘s Brave New World at the box office.
The latest installment in the MCU, starring Anthony Mackie as Captain America and Harrison Ford as Thaddeus “Thunderbolt” Ross, topped the domestic box office for a second week, bringing in $28.2 million, according to Box Office Mojo. The movie has grossed over $140 million domestically to date.
The Monkey, a horror film based on a Stephen King short story about an evil, wind-up toy monkey that causes gruesome deaths, took the #2 spot in its first week in theaters, bringing up $14.2 million. Last week’s #2 film, Paddington in Peru, slips to #3 with $6.5 million.
The only other new film in the top 10 this weekend is The Unbreakable Boy, based on the true story of a child on the autism spectrum who has brittle bone disease. It took in $2.5 million in its first week, good enough for #9 on the list.
Here are the top 10 films at the box office:
1. Captain America: Brave New World – $28.2 million 2. The Monkey – $14.2 million 3. Paddington in Peru – $6.5 million 4. Dog Man – $5.59 million 5. Ne Zha 2 – $4.4 million 6. Heart Eyes – $2.8 million 7. Chhaava – $2.7 million 8. Mufasa: the Lion King – $2.5 million 9. The Unbreakable Boy – $2.5 million 10. One of Them Days – $1.4 million
We now know who will join Anne Hathaway in the film adaptation of Colleen Hoover‘s bestselling book Verity.
Dakota Johnson and Josh Hartnett will star opposite Hathaway in the drama, which will be directed by Michael Showalter with a script by Nick Antosca.
Hartnett will play Jeremy Crawford, the husband of bestselling thriller author Verity Crawford, played by Hathaway. After Verity is unable to complete the remaining books in her successful series, Jeremy hires struggling writer Lowen Ashleigh, who will be played by Johnson, to finish them.
The film will be released in theaters by Amazon MGM Studios.
Verity was first self-published by Hoover in 2018. It then grew in popularity and was acquired by Grand Central Publishing in 2021. It sold more than 1 million copies in 2023.
You can celebrate the upcoming fourth season of the popular Netflix romance series at the 2025 virtual fan event Bridgerton Season of Love.
The celebration is taking place this Valentine’s Day. On Feb. 14, Bridgerton season 4 leads Luke Thompson and Yerin Ha, who play Benedict Bridgerton and Sophie Baek, respectively, will join forces with Queen Charlotte herself Golda Rosheuvel and showrunner Jess Brownell for a virtual fan celebration that will give fans a sneak peak at season 4.
Rosheuvel will host a panel that will offer the first glimpses at Benedict and Sophie’s love story. Thompson, Ha, Rosheuvel and Brownell will gather in London for the virtual event, which will also offer never-before-seen peeks at the upcoming season, exclusive announcements and other surprises.
“Be among the very first to witness an advance glimpse into the newest season of the ton—teeming with exclusive content, news, interactive delights, and an enchanting live Q&A with the show’s stars and creators,” Netflix’s website says of the event.
Bridgerton season 4 “turns its focus to bohemian second son Benedict. Despite his elder and younger brothers both being happily married, Benedict is loath to settle down — until he meets a captivating Lady in Silver at his mother’s masquerade ball,” according to its official description.
Bridgerton Season of Love A Fan Celebration will be available to stream live on Tudum By Netflix on Feb. 14 at 7 a.m. PST.
Justin Baldoni has filed a lawsuit against The New York Times after it published an article featuring allegations from his It Ends With Us co-star, Blake Lively.
Baldoni, who directed and starred in the blockbuster film with Lively, filed a suit on Tuesday for libel and false light invasion of privacy. The complaint claimed that The Times relied on “cherry-picked” and altered communications, with details “stripped of necessary context and deliberately spliced” to “mislead.”
The story, “We Can Bury Anyone: Inside a Hollywood Smear Machine,” was written by reporters Megan Twohey, Mike McIntire and Julie Tate. It reported on Lively’s allegations of sexual misconduct by Baldoni and an alleged campaign to “tarnish” Lively’s reputation and image. The article also included alleged text messages and email exchanges between Baldoni’s publicists Jennifer Abel and Melissa Nathan; however, Baldoni’s lawsuit alleges that the exchanges in The Times’ story were stripped of “critical context.”
“The Article’s central thesis, encapsulated in a defamatory headline designed to immediately mislead the reader, is that Plaintiffs orchestrated a retaliatory public relations campaign against Lively for speaking out about sexual harassment — a premise that is categorically false and easily disproven,” the lawsuit stated.
It continued, “If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign.”
Baldoni, who is seeking $250 million in damages, also lists nine other co-plaintiffs, including Wayfarer Studios LLC, which produced It Ends With Us, and his publicists, Abel and Nathan.
Brian Freedman, an attorney for Baldoni, said in a statement to Good Morning America that The Times “cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites, disregarding journalistic practices and ethics once befitting of the revered publication by using doctored and manipulated texts and intentionally omitting texts which dispute their chosen PR narrative.”
“In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public,” Freedman continued. “The irony is rich.”
Freedman added, “Make no mistake however, as we all unite to take down The NY Times by no longer allowing them to deceive the public, we will continue this campaign of authenticity by also suing those individuals who have abused their power to try and destroy the lives of my clients.”
“While their side embraces partial truths, we embrace the full truth – and have all of the communications to back it,” the statement said. “The public will decide for themselves as they did when this first began.”
A New York Times spokesperson told Good Morning America that they “plan to vigorously defend against the lawsuit.”
“The role of an independent news organization is to follow the facts where they lead. Our story was meticulously and responsibly reported,” The Times’ response continued. “It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”
“To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error,” the spokesperson claimed. “We published their full statement in response to the allegations in the article as well.”
Good Morning America has reached out to Lively’s reps for comment about Baldoni’s lawsuit against The New York Times.
Lively filed a lawsuit in New York against Baldoni and other defendants for sexual harassment on Tuesday. She’s also suing Wayfarer Studios for “failure to investigate, prevent and/or remedy harassment,” as well as others including Nathan and Abel.
Lively’s lawsuit follows a complaint she filed a week ago with the California Civil Rights Department accusing Baldoni and others of waging a smear campaign against her and accusing the actor of sexual misconduct. Baldoni has denied all allegations via his lawyer.
In her suit, which reiterates details she previously presented in her complaint, it refers to a meeting that was allegedly held on Jan. 4, 2024, prior to resuming filming on It Ends With Us after the guild strikes. It alleges that the meeting was attended by Baldoni and key stakeholders of the film, including Wayfarer CEO Jamey Heath, and Lively, who addressed what she called the “repeated sexual harassment and other disturbing behavior” by Baldoni and Heath.
According to the lawsuit, Lively said she laid out specific demands at the meeting to ensure a safe and professional working environment, including “no more showing nude videos or images of women to Blake” and “no more discussions about sexual conquests in front of Blake and others, no further mentions of cast and crew’s genitalia, no more inquiries about Blake’s weight, and no further mention of Blake’s dead father.”
Lively claimed Baldoni and his production company Wayfarer Studios then engaged in a “social manipulation” campaign to “destroy” Lively’s reputation, according to the lawsuit. The lawsuit also includes alleged texts from Baldwin’s publicist to a Wayfarer publicist; they which allegedly said that Baldoni “wants to feel like [Ms. Lively] can be buried,” and “We can’t write we will destroy her.” Baldoni’s suit has denied that these are complete and accurate texts.
Attorneys for Lively said in a statement that the actress’ “decision to speak out has resulted in further retaliation and attacks.”
“As alleged in Ms. Lively’s federal Complaint, Wayfarer and its associates have violated federal and California state law by retaliating against her for reporting sexual harassment and workplace safety concerns,” Lively’s attorneys said. “Now, the defendants will answer for their conduct in federal court. Ms. Lively has brought this litigation in New York, where much of the relevant activities described in the Complaint took place, but we reserve the right to pursue further action in other venues and jurisdictions as appropriate under the law.”
Both Baldoni and Lively are seeking a jury trial.
Good Morning America has reached out to Baldoni’s rep for comment about Lively’s lawsuit against him.
