Adrien Brody sets record for longest Oscar speech ever
Disney/Stewart Cook
Adrien Brody made history with his best actor Oscar win for The Brutalist Sunday night, setting the record for longest Oscar acceptance speech ever.
His speech ran five minutes and 40 seconds – way over the allotted 45 seconds winners get for their speeches. According to Guinness World Records, the previous record holder was Greer Garson, who spoke for five minutes and 30 seconds when she won for Mrs. Miniver in 1943.
The broadcast tried to play Brody off with music, but he wouldn’t have it.
“Turn the music off!” he said. “I’ve done this before. Thank you. It’s not my first rodeo, but I will be brief.”
Brody previously won best actor in 2003 for The Pianist, and they tried to play him off that time, as well. During that speech, he said, “One second, please. One second. Cut it out. I got one shot at this. I didn’t say more than five names, I don’t think.”
In honor of Valentine’s Day, Netflix has released its first look at Bridgerton season 4. Along with a behind-the-scenes video featuring footage from the new season, the streamer also released several new images from the season.
Benedict Bridgerton takes over as the lead of season 4. He’s played by Luke Thompson, while his love interest, Sophie Baek, is played by Yerin Ha. According to its official logline, season 4 “turns its focus to bohemian second son Benedict. Despite his elder and younger brothers both being happily married, Benedict is loath to settle down — until he meets a captivating Lady in Silver (Ha’s Sophie) at his mother’s masquerade ball.”
At the Bridgerton Season of Love virtual fan celebration, which took place Friday, showrunner Jess Brownell teased what is to come from the upcoming new season of the popular Regency-era series.
Brownell confirmed that season 4 will be the most faithful adaptation of one of Julia Quinn‘s Bridgerton novels. Specific plot points from Benedict’s book, An Offer From A Gentleman, that will be featured in the season include the masquerade ball, the iconic lake scene and the My Cottage moments at Benedict’s country home.
The behind-the-scenes video shows off footage from the masquerade ball, which takes up most of episode one, Brownell confirmed.
Additionally, Brownell said that fan-favorite couples Kate and Anthony and Colin and Penelope, played by Simone Ashley and Jonathan Bailey and Luke Newton and Nicola Coughlan, respectively, will return in season 4 — this time as new parents.
Season 4 of Bridgerton is currently in production in London. It will consist of eight episodes. A premiere date for the new episodes has yet to be set.
Justin Baldoni has filed a new civil lawsuit against Blake Lively, her husband, Ryan Reynolds, the couple’s publicist Leslie Sloane and Sloane’s public relations company, Vision PR, for, among other things, extortion and defamation.
Baldoni, who directed and starred in the film It Ends With Us with Lively, is accusing Lively of having “robbed” Baldoni and Wayfarer Studios LLC of control of the film, as well as destroying Baldoni’s “personal and professional reputations and livelihood.”
The suit lists Baldoni, Wayfarer and Baldoni’s publicist Jennifer Abel as plaintiffs, as well as Melissa Nathan, a crisis PR specialist hired by Wayfarer Studios, and Jamey Heath, Baldoni’s friend and podcast co-host. They are currently seeking $400 million in damages.
“Lively stole Wayfarer’s movie, hijacked Wayfarer’s premiere, destroyed Plaintiffs’ personal and professional reputations and livelihood, and aimed to drive Plaintiffs out of business entirely,” the suit reads.
The suit claims Lively pushed a “false and damaging narrative” against Baldoni that was “rife with lies and doctored ‘evidence'” in accusing him of sexual harassment on the set of It Ends with Us.
Lively first raised allegations of sexual harassment against Baldoni and accused him and his publicity team of trying to destroy her reputation in a complaint she filed in December with the California Civil Rights Department, which included numerous text messages and communications she claimed were part of a campaign to attack her public image. The New York Times was the first to report Lively’s legal complaint.
Lively then formally filed a lawsuit in New York against Baldoni and other defendants, again alleging sexual harassment.
Bryan Freedman, the attorney for Baldoni and Wayfarer Studios, denied all allegations.
Baldoni’s suit accuses Sloane of having gone “so far as to propagate malicious stories portraying Baldoni as a sexual predator” and Reynolds of using the term to describe Baldoni in a call with Baldoni’s agent. The suit claims Reynolds told Baldoni’s rep to “drop” him as a client.
Baldoni also accused Reynolds of launching into an “aggressive tirade, berating Baldoni in what Baldoni later described as a ‘traumatic’ encounter” at the couple’s home during the film’s production.
The suit claims Baldoni and the other plaintiffs were “the targets of a calculated and vitriolic smear campaign” lodged by the defendants and that Lively, leveraging her and her husband’s star power, took control of the film — including Lively having her own cut of it.
Freedman said in a statement, “This lawsuit is a legal action based on an overwhelming amount of untampered evidence detailing Blake Lively and her team’s duplicitous attempt to destroy Justin Baldoni, his team and their respective companies by disseminating grossly edited, unsubstantiated, new and doctored information to the media.”
“It is clear based on our own all out willingness to provide all complete text messages, emails, video footage and other documentary evidence that was shared between the parties in real time, that this is a battle she will not win and will certainly regret,” Freedman continued.
Freedman ended his statement by saying, “We know the truth, and now the public does too. Justin and his team have nothing to hide, documents do not lie.”
ABC News has reached out to Lively, Reynolds, Sloane and Vision PR for a comment in response to Baldoni’s suit against them, but has not yet received a response.
Baldoni’s latest action in his legal battle against Lively comes after he had filed a lawsuit against The New York Times on Dec. 31 for libel and false light invasion of privacy, after it published the story “We Can Bury Anyone” on Dec. 22, which included reporting on Lively’s complaint. That same day, Lively formally filed her lawsuit in New York against Baldoni and other defendants.
Baldoni was reportedly dropped from his talent agency after the story was published.
In his complaint against The New York Times, Baldoni accused the newspaper of relying on “cherry-picked” and altered communications, with details “stripped of necessary context and deliberately spliced” to “mislead.”
In a statement to ABC News, The New York Times denied Baldoni’s accusations and said their original story was “meticulously and responsibly reported,” and that their report was “based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”
Lively’s attorney issued a statement amid the ongoing feud.
“Ms. Lively’s federal litigation before the Southern District of New York involves serious claims of sexual harassment and retaliation, backed by concrete facts. This is not a ‘feud’ arising from ‘creative differences’ or a ‘he said/she said’ situation. As alleged in Ms. Lively’s complaint, and as we will prove in litigation, Wayfarer and its associates engaged in unlawful, retaliatory astroturfing against Ms. Lively for simply trying to protect herself and others on a film set,” the statement read in part.
In recent days, both Baldoni and Lively’s attorney have issued statements on the ongoing legal feud.
Will Reeve: Finding My Fatheris now streaming on Hulu. It documents Christopher Reeve‘s son Will‘s journey as he recreates an expedition that his father undertook, shortly before he became paralyzed in a horse riding accident in 1995.
“My dad had been filming this documentary about gray whales in Alaska and Mexico just months before his accident, so the production team finished the film without him,” says Will, who’s now an ABC News correspondent. “We had it on VHS and I basically wore the tape out, watching it over and over again.”
“From that young age, I knew that I wanted to make a pilgrimage to see what my dad saw and do what he did,” he adds.
For the documentary, Will managed to track down the sons of the men who were Christopher Reeve’s guides 30 years ago and had them do the same for him — fitting for a project whose “major throughline,” Will says, is “fathers and sons, parents and children, connections between generations, connections between man and nature.”
“Finding the sons was key to making this project sing,” he notes. “Because without them, it would have felt almost self-indulgent for me to just go on this cool expedition.”
But while retracing his dad’s footsteps, the greatest discovery Will made was the memories of the locals in Mexico and Alaska who remembered meeting Christopher Reeve, aka “Superman,” 30 years ago.
“Every one of them had a specific memory of encountering him, but they also had a specific memory of how he treated them,” Will notes. “And that was the most gratifying experience of it all: getting real world confirmation that my father was the type of man that I aspire to be.”
