Benji Madden is proving he’s his wife Cameron Diaz‘s biggest fan.
The Good Charlotte singer took to Instagram on Friday to not only mark his and Diaz’s recent 10th wedding anniversary but to praise her return to the big screen in Back in Action as well.
“This is my QUEEN,” he wrote in the post’s caption. “I celebrate this BAD A** WOMAN. Wife, Mommy, friend, partner, Boss, and lover.”
Of their decade of marriage, which they reached on Jan. 5, Madden said “every year only gets more fulfilling.”
“It’s special,” he continued. “Never perfect- always real- always reliable. Every day getting to have my best friend with me ride or die.”
Madden expressed his gratitude for his “beautiful life” with Diaz, which includes their two children, and hinted at “ANOTHER MILESTONE” in their lives.
“We are SO happy to see you….BACK IN ACTION!!….Congrats baby!!” he gushed.
Back in Action, an action-comedy starring Diaz and Jamie Foxx, marks Diaz’s return to acting after more than a decade away, with her most recent film being 2014’s Annie remake.
Greta Gerwig is bringing her Narnia adaptation to the big screen.
The film, which is being made for Netflix, will get an exclusive two-week global run on Imax screens, according to Variety. It will open in movie theaters on Thanksgiving Day 2026. Narnia will play in movie theaters in 90 countries in over 1,000 cinemas ahead of its streaming release on Netflix on Christmas Day 2026. It’s based on The Chronicles of Narnia book series by C.S. Lewis.
Puck first reported the news that a deal with Imax had been reached after months of negotiations. It is a rarity for Netflix, which does sometimes have limited theatrical releases in order for its titles to qualify for The Oscars, but mostly prefers to have its films debut on its streaming platform.
Narnia is one of a few exceptions. Glass Onion: A Knives Out Mystery had an exclusive one-week run in over 600 theaters before its streaming release back in 2022, making it the streamer’s widest-ever theatrical release to date.
Netflix recruited Gerwig to direct their Narnia adaptation back in 2020. In 2023, the director helmed the year’s highest-grossing film, Barbie, which earned almost $1.5 billion worldwide.
Ready, set, binge! Here’s a look at some of the new movies and TV shows streaming this weekend:
Max Harley Quinn: Harley leaves Gotham behind in season 5 of her animated DC comics series.
Prime Video Unstoppable: Learn the true story of the wrestler born with only one leg who will stop at nothing to become a national champion in the new film.
Netflix XO, Kitty: It may be a new year, but it’s always the same Kitty. Watch her journey in season 2 of the teen drama show.
Back in Action: Cameron Diaz and Jamie Foxx are married former CIA spies who get dragged back into espionage in the new movie.
Starz The Couple Next Door: Two suburban couples become entangled in the steamy romantic drama.
Apple TV+ Severance: You can watch the long-awaited season 2 premiere episode of the popular show.
That’s all for this week’s Weekend Watchlist – happy streaming!
Joel McHale is joining the Scream franchise. The actor will play Sidney Prescott’s husband, Mark Evans, in Scream 7. Deadline first broke the news on Thursday. As previously reported, Neve Campbell is returning to the role of Sidney in the seventh Scream film, along with a cast that will also include Courteney Cox, Mason Gooding, Isabel May, Celeste O’Connor, Asa Germann, Mckenna Grace, Sam Rechner and Anna Camp. The film is currently in production in Atlanta …
Conan O’Brien is set to receive the Mark Twain Prize for American Humor. “I am honored to be the first winner of the Mark Twain Prize recognized not for humor, but for my work as a riverboat pilot,” O’Brien said. The prize will be awarded to O’Brien on March 23 in The Kennedy Center Concert Hall, and the program will premiere on Netflix on a yet-to-be-announced date …
Fox has renewed its crime series Murder In A Small Town for a second season. The show, which stars RossifSutherland and Kristin Kreuk, is based on the Edgar Award-winning book series from L.R. Wright. “We look forward to giving fans a second season of Karl Alberg’s unmatched expertise as a crime solver in Murder in a Small Town,” Brooke Bowman,ofFox Television Network, said. “We’ve enjoyed a terrific partnership with Sepia and Future Shack and our incredibly talented cast and crew and can’t wait to see what’s in store for our characters next season.” …
Innies and outies, rejoice! AppleTV+’s Severance is finally back for a second season. The show follows co-workers at a mysterious, cult-like company who volunteer for a procedure that separates their work life and their home life: While at work, they have no memory of their home life and vice versa. The first season ended with a massive cliff-hanger, and fans have been pondering theories ever since.
Britt Lower, who plays Helly, and John Turturro, who plays Irving, say in the three years the show’s been gone, they’ve been asked for spoilers many times.
“I think there’s that moment that we’ve all experienced of someone wanting to know and then saying immediately, ‘But don’t tell me anything!'” Lower tells ABC Audio. “And I think people want to be on the journey of mystery.”
“Right? That’s part of the fun for the audience,” Turturro adds. “They really are participating that way — the longer it goes on, the better it is.”
Patricia Arquette, who plays seemingly evil manager Harmony Cobel, says she simply channels her character when people press her for details.
“It’s funny, I don’t really carry around characters very much, but when people ask me, a little inner Cobel comes out,” she says. “I really want to lie to them. I want to throw them off of the scent.”
Christopher Walken, who plays Turturro’s romantic interest, Burt, likes that Severance‘s multiple mysteries mean the “audience is always catching up.” He tells ABC Audio, “It’s the element of surprise, which in show business is very valuable.”
In addition to being mysterious, Walken says Severance is “a little bit funny” and “a little bit scary, which is always a good combination.” He also likes the fact that as “somebody who plays all these unsavory characters,” he gets to play “a good guy and a love interest,” noting, “I don’t get a lot of that.”
Justin Baldoni has filed a new civil lawsuit against Blake Lively, her husband, Ryan Reynolds, the couple’s publicist Leslie Sloane and Sloane’s public relations company, Vision PR, for, among other things, extortion and defamation.
Baldoni, who directed and starred in the film It Ends With Us with Lively, is accusing Lively of having “robbed” Baldoni and Wayfarer Studios LLC of control of the film, as well as destroying Baldoni’s “personal and professional reputations and livelihood.”
The suit lists Baldoni, Wayfarer and Baldoni’s publicist Jennifer Abel as plaintiffs, as well as Melissa Nathan, a crisis PR specialist hired by Wayfarer Studios, and Jamey Heath, Baldoni’s friend and podcast co-host. They are currently seeking $400 million in damages.
“Lively stole Wayfarer’s movie, hijacked Wayfarer’s premiere, destroyed Plaintiffs’ personal and professional reputations and livelihood, and aimed to drive Plaintiffs out of business entirely,” the suit reads.
The suit claims Lively pushed a “false and damaging narrative” against Baldoni that was “rife with lies and doctored ‘evidence'” in accusing him of sexual harassment on the set of It Ends with Us.
Lively first raised allegations of sexual harassment against Baldoni and accused him and his publicity team of trying to destroy her reputation in a complaint she filed in December with the California Civil Rights Department, which included numerous text messages and communications she claimed were part of a campaign to attack her public image. The New York Times was the first to report Lively’s legal complaint.
Lively then formally filed a lawsuit in New York against Baldoni and other defendants, again alleging sexual harassment.
Bryan Freedman, the attorney for Baldoni and Wayfarer Studios, denied all allegations.
Baldoni’s suit accuses Sloane of having gone “so far as to propagate malicious stories portraying Baldoni as a sexual predator” and Reynolds of using the term to describe Baldoni in a call with Baldoni’s agent. The suit claims Reynolds told Baldoni’s rep to “drop” him as a client.
Baldoni also accused Reynolds of launching into an “aggressive tirade, berating Baldoni in what Baldoni later described as a ‘traumatic’ encounter” at the couple’s home during the film’s production.
The suit claims Baldoni and the other plaintiffs were “the targets of a calculated and vitriolic smear campaign” lodged by the defendants and that Lively, leveraging her and her husband’s star power, took control of the film — including Lively having her own cut of it.
Freedman said in a statement, “This lawsuit is a legal action based on an overwhelming amount of untampered evidence detailing Blake Lively and her team’s duplicitous attempt to destroy Justin Baldoni, his team and their respective companies by disseminating grossly edited, unsubstantiated, new and doctored information to the media.”
“It is clear based on our own all out willingness to provide all complete text messages, emails, video footage and other documentary evidence that was shared between the parties in real time, that this is a battle she will not win and will certainly regret,” Freedman continued.
Freedman ended his statement by saying, “We know the truth, and now the public does too. Justin and his team have nothing to hide, documents do not lie.”
ABC News has reached out to Lively, Reynolds, Sloane and Vision PR for a comment in response to Baldoni’s suit against them, but has not yet received a response.
Baldoni’s latest action in his legal battle against Lively comes after he had filed a lawsuit against The New York Times on Dec. 31 for libel and false light invasion of privacy, after it published the story “We Can Bury Anyone” on Dec. 22, which included reporting on Lively’s complaint. That same day, Lively formally filed her lawsuit in New York against Baldoni and other defendants.
Baldoni was reportedly dropped from his talent agency after the story was published.
In his complaint against The New York Times, Baldoni accused the newspaper of relying on “cherry-picked” and altered communications, with details “stripped of necessary context and deliberately spliced” to “mislead.”
In a statement to ABC News, The New York Times denied Baldoni’s accusations and said their original story was “meticulously and responsibly reported,” and that their report was “based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article.”
Lively’s attorney issued a statement amid the ongoing feud.
“Ms. Lively’s federal litigation before the Southern District of New York involves serious claims of sexual harassment and retaliation, backed by concrete facts. This is not a ‘feud’ arising from ‘creative differences’ or a ‘he said/she said’ situation. As alleged in Ms. Lively’s complaint, and as we will prove in litigation, Wayfarer and its associates engaged in unlawful, retaliatory astroturfing against Ms. Lively for simply trying to protect herself and others on a film set,” the statement read in part.
In recent days, both Baldoni and Lively’s attorney have issued statements on the ongoing legal feud.
Kyle MacLachlan is paying tribute to his longtime collaborator and friend David Lynch, who died at age 78, his family announced on Facebook Thursday.
In a photo carousel shared to Instagram, MacLachlan posted pictures of himself with the acclaimed director alongside a lengthy caption.
“Forty-two years ago, for reasons beyond my comprehension, David Lynch plucked me out of obscurity to star in his first and last big budget movie. He clearly saw something in me that even I didn’t recognize. I owe my entire career, and life really, to his vision,” MacLachlan began his tribute.
“What I saw in him was an enigmatic and intuitive man with a creative ocean bursting forth inside of him. He was in touch with something the rest of us wish we could get to,” MacLachlan wrote. “Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met.”
The actor then detailed how in tune Lynch was with the universe, and that he was not interested in finding answers and instead focused on asking questions, because they “are the drive that make us who we are.”
“While the world has lost a remarkable artist, I’ve lost a dear friend who imagined a future for me and allowed me to travel in worlds I could never have conceived on my own,” MacLachlan wrote. “I can see him now, standing up to greet me in his backyard, with a warm smile and big hug and that Great Plains honk of a voice. We’d talk coffee, the joy of the unexpected, the beauty of the world, and laugh. His love for me and mine for him came out of the cosmic fate of two people who saw the best things about themselves in each other.”
MacLachlan ended his tribute by saying he will miss Lynch more than the limits of language can tell and that his heart can bear.
“My world is that much fuller because I knew him and that much emptier now that he’s gone,” MacLachlan wrote. “David, I remain forever changed, and forever your Kale. Thank you for everything.”
A spokesperson for Brad Pitt has given a statement regarding the French woman who was scammed out of her life savings while believing she was in a relationship with the actor.
The French woman, named Anne, revealed she was scammed out of $850,000 after she believed she was in a long-distance relationship with the Hollywood actor. The story was first reported on the TF1 show Sept à huit on Sunday, according to Men’s Journal.
“It’s awful that scammers take advantage of fans’ strong connection with celebrities, but this is an important reminder to not respond to unsolicited online outreach, especially from actors who have no social media presence,” the spokesperson for Pitt told ABC Audio.
Anne, who was married to a wealthy man at the time, first began communicating with the scammer while on vacation with her children in the French Alps. She downloaded Instagram and shared photos from her trip. The scammer originally pretended to be Pitt’s mother, Jane Pitt. They found her Instagram profile and told Anne “that her son needed someone like me,” she said on the TF1 show. Their communication lasted over a year.
“At first I said to myself that it was fake, that it’s ridiculous,” Anne said. “But I’m not used to social media and I didn’t really understand what was happening to me.”
As time went on, Anne received AI-generated photos and audio messages from the scammers, now pretending to be the actor. They claimed Pitt needed $1 million for a kidney transplant and was unable to access his bank accounts due to his divorce from Angelina Jolie, coercing Anne into sending them the money.
“I ask myself why they chose me to do such harm like this?” Anne said. “I’ve never harmed anyone. These people deserve hell.”
Anne ultimately left her husband before she realized she had been conned when she saw reports about Pitt’s real-life girlfriend, Ines de Ramon.
Jessica Alba announced Thursday that she and husband Cash Warren are splitting after 16 years of marriage.
The actress and The Honest Company co-founder shared a statement about their split to Instagram.
“I’ve been on a journey of self realization and transformation for years-both as an individual and in partnership with Cash,” she began. “I’m proud of how we’ve grown as a couple and in our marriage over the last 20 years and it’s now time for us to embark on a new chapter of growth and evolution as individuals.”
Her statement continued, “We are moving forward with love and kindness and respect for each other and will forever be family. Our children remain our highest priority and we request privacy at this time.”
Alba and Warren married in May 2008 and share three children — daughters Honor, 16, and Haven, 13, as well as son Hayes, 7.
The couple celebrated their 16th wedding anniversary last May.
In a post shared to her Instagram at the time, Alba wrote, “16 years of marriage, 20 years together and forever to go… Happy Anniversary @cash_warren.”
“I’m proud of us for making it this far,” she continued at the time. “There is no real set of rules or guidance that can ever prepare you for what it means to commit to another person and choose to be family. Through thick and thin we have continually found our way back to each other and have chosen one another. Cheers to us, I love you.”
David Lynch, the Oscar-nominated director of films including Eraserhead, Blue Velvet and Mulholland Drive, and co-creator of the cult drama series Twin Peaks, has died. He was 78.
“It is with deep regret that we, his family, announce the passing of the man and the artist, David Lynch,” a statement on his official Facebook account said. “We would appreciate some privacy at this time. There’s a big hole in the world now that he’s no longer with us. But, as he would say, ‘Keep your eye on the donut and not on the hole.'”
The statement added, “It’s a beautiful day with golden sunshine and blue skies all the way.”
The filmmaker revealed in August 2024 that he had developed emphysema after years of smoking. “I’m homebound whether I like it or not,” Lynch told Sight and Sound magazine. “I can’t go out. And I can only walk a short distance before I’m out of oxygen.”
Lynch added in a social media post at the time that he was “in excellent shape” otherwise, declaring, “I am filled with happiness, and I will never retire.”
An acclaimed film director and screenwriter, visual artist, musician and composer known for his surreal, sometimes macabre, works, Lynch was nominated for four Academy Awards over his more than six-decade career, though he only directed 10 feature films between his 1977 debut, Eraserhead, and his most recent film, 2006’s Inland Empire. So singular was his artistic vision, however, that in 2019 Lynch received an honorary Academy Award in recognition of his body of work and contribution to cinema.
He also received eight Primetime Emmy Award nominations for his 1990s TV series Twin Peaks, which introduced the broader public to his eclectic style that often juxtaposed fantastical or dreamlike elements with mundane environments – a signature aesthetic that came to be described as “Lynchian.”